Commercial Lifestyle & Advertising Photography.

Orlando and beyond.

Every photograph in this gallery started the same way: a real person doing something they actually do, lit and directed so nobody would guess there was a shot list. I call it planned spontaneity, the actual craft behind lifestyle photography, and after 20 years shooting commercial and advertising work across Florida it's still the part of the job I care about most.

A commercial lifestyle photographer is hired by a brand or agency to make images of real people using a product or service, images built to make a viewer feel something about the brand, shot and licensed for advertising use. Most projects in this gallery aren't a single hero shot. They're image libraries: a stock of on-brand photography and video from single or multi-day shoots that a marketing team pulls from for a year of campaigns, web pages, and social posts. I break down what that costs and how licensing works in why professional photography and video cost what they do, and go deeper on what separates a lifestyle photographer from a general photographer in what is a commercial or advertising lifestyle photographer.

I do quite a bit of work for the healthcare and health insurance industries: a multi-day corporate image library for Humana, a Medicare-focused lifestyle library for CarePlus, a senior care campaign for Comfort Keepers, and pharmaceutical and health care photography for CVS.

Tourism and hospitality run close behind. A crew of about 20 covered stills and motion on the same shoot day for the PalmCoast and Flagler Beaches tourism campaign, and I've built resort image libraries for Holiday Inn Club Vacations and Experience Kissimmee.

The rest covers corporate and office culture, retail, and small business brands: Atwell and RVI's corporate culture, Michael Wenrich Architects' office culture, and a look inside airport retail life for TPA Concessions.

I'm based in Orlando and shoot statewide (Tampa, Miami, St. Augustine, Sarasota, St. Pete), and I split time in Atlanta for production and agency work there too. Clients have included Disney Institute, Netflix, CVS, Humana, Thinkwell/TAIT, Magnolia Journal, Wall St. Journal Magazine, and Waddell Media in the UK, across travel, tourism, health, pharma, retail, and tech.

If a project needs video alongside stills, they usually come out of the same shoot day. See how that pairs on the motion page. Productions also hire me for unit stills on film, TV and commercial sets. And if you’re looking to hire a photographer, how to find and hire the right photographer for your brand walks through what to ask before you commit to one.

Ready to talk through a shoot? Get in touch and tell me what you want to collaborate on.